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()(N)(S)(U)Avengers|Cap|DD||Hulk|Thor|XX
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For the most part, you don't have to buy Avengers to read New Avengers. There are connections, but my understanding is they are coming from two different directions and dealing with different parts of a central story neither can see really see right now. Right now, if you read both, you get neat little Easter eggs, like Hyperion's origin story and the next to last panel of NA 3 being Cap's nightmare flash in Avengers 1.
Hickman has said Avengers is optimistic and hopeful and takes a more idealistic approach. New Avengers is not. Avengers = Star Trek. New Avengers = Alien / Blade Runner
I think it's either a generational thing, or a type of reader thing. Comic book readers aren't necessarily novel readers. And folks that grew up with or like older comics, accept / enjoy narration. When folks started thinking of / creating comics as movies or TV, narration disappeared and became less acceptable. Which is really kind of weird, because writers became more "important," even though art was carrying an even bigger load of communicating the story.
Yes, it's you. You should just give up on it now. I disagree with the entirety of your post. I get that you and others don't like it, but that's simply a matter of differing tastes. Folks like me that love the book, find the dialog awesome, the artwork appropriate to the scenes, with some great settings and expressive faces. It's amazing and extremely rewarding to read about these characters dealing with such a horrible, yet epic situation and wrestling with the moral implications, instead of just hitting things and making jokes. And not every character has to be likeable. You've got most of the books in the MU full of characters striving to be likeable. Go read one of those books, if that's a requirement for you.
Last edited by Rheged; 02-12-2013 at 08:47 AM.
I find it funny how people are screaming for style over substance, yet substance was hardly present during Bendis' run.
There are four stages of matter. Solid. Liquid. Gas & Don't. It's science.
I am a male. Deal with it.
It may be generational to some extent, but if so, I'm an exception. I read plenty of novels and ither books, so narration isn't an issue for me in and of itself. It's a question of how it's used. While a certain level of exposition is unavoidable, too much can be clunky or overwrought. Show don't tell is always a good guide, although nowhere near absolute.
One of Strunk & White's biggest suggestions is to omit unnecessary words, and that's a huge rule to stick to, in my opinion. Heavy narration often crosses into unnecessary.
And there is also the question of what you want the protagonists to know, what you want the readers to know, and the balance between the two. A lot of writers like the narration to be limited to what the characters would know. So if Captain America doesn't know what thi big Yellow alien guy is capable of, then the narration reflects that and neither do the readers. This helps put the readers in Cap's shoes. They'll feel a level of uncertainty about it, which is what Cap would feel.
Then there is a less limited approach to narration. This approach is more omniscient, not limited in any way. This method allows the writer more freedom to just give info to the reader at any time and in any manner.
Both approaches have strengths and weaknesses, but with comics being a visual medium, I think the limited approach is better. If the art is capable of conveying the idea to the reader, then there is no need for narration. If more info than the art is needed, then some narration is fine.
I look at Hickman's level of narration in Avengers as being pretty spot on. He's also given the narrator a voice of sorts...kind of placing the reader on the team, to an extent. I compare this with Remender's work on Uncanny, which is more heavily narrated, and I think I prefer Hickman's approach. In UA, without narration, we would know next to nothing about the Red Skull's henchmen. I think showing more about them through flashbacks or revealing it through dialogue would be better than simply stating it in a narration box.
Again, narration can be fine, and it can be a great tool fir the writer. But it can also be a crutch used to compensate for weaknesses in other areas.
It is a bit interesting.
To me, Hickman's New Avengers has to the same pace as, say, Bendis's final New Avengers arc. It might feel a little slower since there aren't physical battles so far. Regardless, I definitely get the thought "this could've been told in fewer issues and been just as effective."
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This. Hickman has me on board for the long haul. I know he's building the foundation for something that's going to be epic. I love that he doesn't have story arcs that conclude after just a few issues.
I've only been reading Avengers, but maybe I should start reading New Avengers to get the whole story?
Well the worlds that have been destroyed are just that worlds. I have no connection to them they are nameless faceless things that no longer exist. To stretch a metaphor they are worlds in red uniforms. Now could hickman give them substance down the road as the story unfolds sure. He probably will butto me so far it has been mostly set up and set up is not substance it is just set up. That is not a negative thing just how I see it.
The only real substancial thing for me that has occured is the mind wipe of Cap. You know that will payoff odwn the orad and you know at least some of the impact it will have. The rest has a long way to go before it takes shape in any subtancial way.
As for introducing new characters being something of substance who can say. Smasher could become a huge break out star of she could become Stingray. I don't think there is enough there at this point to judge any of the new characters. I like the a majority of the line up (nobody is going to please everyone) but and still on the fence as to how interesting a huge team can be.
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