I include this as one of my favorites because it shows his storytelling ability with the layout of the panels.
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01-21-2013, 06:31 AM #31New Member
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01-21-2013, 06:31 PM #32Senior Member
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Actually my favorite panels from Hunter/Prey is the the mirror of the first pic you posted above, at the beginning of the first issue. Its from Clark's dream as a boy going down into the basement and hearing a noise, and as he turns he changes from kid, teen, to Superman till he completes the turn and sees Doomsday.
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01-22-2013, 02:39 AM #33Member
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01-22-2013, 04:53 PM #34Deaf Member
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it really cool this pic
Originally Posted by Cypher-Z
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01-22-2013, 04:54 PM #35Deaf Member
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I agree with you Originally Posted by Sacred Knight
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01-23-2013, 07:40 AM #36New Member
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@ Scared Knight and Phil3940
I know what you mean but I think it that was four to five pages from the kid scene until he turned his head to face Doomsday's fist. It was a long sequence that's why I prefer this page. Nothing wrong about your preference though. The idea that I was trying to put across is that Jurgens do not just draw panels. When he's in the zone he's really thinking hard how to make sure that the panels have exciting composition. Just like the panel in Superman number 81 vol. 2. The scene was when Lois was stopping Clark when he was telling her stories to prove he's the real deal. The head turn of Lois in that bottom panel would fit a cinematic storyboard.
@Cypher-Z
Nice pics. I hope you can also post the page where Superman was protecting Ma, Pa, and Lana from falling debris. It's in that same comic book. Thanks.
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