Paste: Going back to the gothic umbrella, between Hellboy, BPRD, Baltimore, Witchfinder and Lobster Johnson, are there any niches in the pulp and gothic generes that that you haven’t been able to scratch yet?
Mignola: Yes, there are a couple. There are two different books that I’m going to be writing. There are things that I’ve touched on in Hellboy that have never really been fully explored, so that’s one of the things on my list after I finish this first arc of Hellboy in Hell. I’m really looking forward to writing these two. They’ll probably be two 5-issue miniseries. And I don’t want to say what they are yet, but they’re stories that take place previous to what we’ve been doing. They’re slotted in a time period that we underdeveloped, dealing with those characters who haven’t gotten as much of a spotlight as maybe they should.
Paste: Any hints as to who’s on art?
Mignola: Nothing’s set in stone. But as of right now, they’re two different artists who are currently working on other things in the BPRD world. I think in both cases, artists who I haven’t actually written for myself. They’re guys who have been working with the co-writers. But they’re both great artists, and I’m hoping it’s going to work out with these guys.
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