Ok take a breath. Let's consider what adapting a comic to a movie means.
Take for example Tintin. Innocuous, yes? Entirely suitable for development into a film.
Except director Spielberg faced a bit of a problem. See Herge had continued working on Tintin books during WW2, which in effect meant he was employed by a fascist newspaper. Some even suggest Herge himself was a budding fascist until after the war.
Then there's Tintin In The Congo, the debut of our lovable little hero, here shown racially abusing Africans. Ho ho, what fun.
So Spielberg had to contend with reporters asking him questions as to why he was adapting a work that featured both fascist and racist undertones at different times during its run.
Obviously the film itself did not dwell on this - this article even argues that as a result the film loses some of the energy of the books
http://www.theatlantic.com/entertain...-books/250382/ - because it would have made the series less marketable.
Now imagine the scene. Guy pitches a Deathstroke movie to the budget-conscious DC suits who are still smarting at the failure of Green Lantern and the phenomenal success of Marvel Studios. Our budding director uses words like badass and anti-hero.
Will it be based on any of the comics? Well no, the comics feature statutory rape and our hero hunting teenagers during his most famous appearances. So why are we making a Deathstroke movie then? What is it about the character aside from the horrible things that he has done that makes him memorable? Why should audiences come see a film about a character who is just another gun-toting meathead - stripped of any sense of threat or perversity, as in his original appearances?
What makes Deathstroke, Deathstroke, if he is not a horrifying villain - and why should audiences want to see a movie with the character?
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