Uh, just for the record, I'm 22.
I thank you for your response as I thank everyone else as well, but I am going to hazard a guess that there are two different comic philosophies being shown here; the classic approach of a more streamlined team with more episodic nature of storytelling (which has worked for decades) and a more pseudo-developing story version that depends on keeping momentum in character evolutions, at the risk of crashing a favored character but with the potential to build characters up with some chronological aging and definite generational gaps.
Seeing as how it's the second school of thought that I'm accustomed to from the Post-Crisis books I first read, I must also state that I believe the Batman line still had the most Post-Crisis momentum of all the DCU. You had a rough but well-executed (with the exception of War Games, which wound up being erased via storytelling as opposed to retconned out) timeline that definitely flowed from one group of heroes to another, usually moving forward (Dick to Batman, Tim to Red Robin, Cass to Black Bat, Steph to Batgirl) in a way that at least played up the idea that the characters were aging. Unfortunately for the rest of the DCU, most of the other characters fell victim to the Geoff Johns curse-he'd show up, right a story that favored some Silver Age ideas, do the story very well, but when he left the book would fall apart. Just look at Flash; he writes
Blitz (my second favorite Flash story behind the
Return of Barry Allen),
War of the Rogues, and sets up a new status quo, but it all goes to hell shortly after he leaves. The same thing happened with Superman;
Brainiac and
New Krypton were good, but both were just slaughtered by sub-par writing after he left. It's why most of the DCU needed a complete reboot and why Batman is still pretty strongly, if not thoroughly, connected to the pre-Flashpoint universe and why some of us feel we have the right to complain about what we see as unnecessary changes to our favorite characters.
Now, I think your previous argument about Dick being "cannibalized" is flawed when discussing the pre-Flashpoint continuity-what you see as stuff "stolen" from him I see as him
maturing beyond, especially in regards to his relationship with Bruce and place as the boy sidekick, since I regard Dick-Robin as a being of lesser interest than Nightwing. Now, post-Flashpoint Nightwing doesn't feel so much cannibalized to me as much as I feel stupid editorial decisions have muddled up all the Robins equally, but especially Tim and Dick since they had the longest tenures. Between the two of us posters, I doubt either of us is thrilled with the traits both characters have taken from each other for the reboot: You want a more traditional Dick Grayson with the Titans connections, and I want a Tim Drake with no gymnastic background and with Lady Shiva as his frenemy. So at least here, we both probably feel some changes are in order, albeit probably different changes.
Now as for Batgirl...I've already stated that I prefer Cass to Babs, and here I feel the only real things you can argue were cannibalized to create the second (or third if you're finicky) Batgirl were her position as a female Bat-character and the name itself. Their designs are radically different, as was their character conception, which almost lines up as opposite of each others strengths (cute-mute versus fiery-redhead, martial arts mastery versus old-school detective, socially-awkward versus socially skilled, scary costume versus fun costume). To put it in one of the wordings of one your older posts, Cassandra Cain did succeed as Batgirl
on her own merits. I would simply argue that Cassandra's skills and handicaps act as abetter initial "hook" for the character. And like Babs, Cass has been the victim of editorial in the past. So while I will argue that good writing is needed to justify the differences of Steph-Bats versus Babs-Bats, I feel Cass is strong enough on her initial creation to be regarded as an equal to Babs in regards to their place in the Bat-family.
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