Not for an exclusively American audience. Do you know how many countries those books are exported to?Something we agree on, finally.All of which is funny to mention since the overt patriotism that used to fill a lot of the comics has died out, and I have no problem with that.
I know that. I wasn't talking about DC Comics, I was responding to the guy who thinks I'm a "bad person" because I don't share his personal obsession with America's social problems. Though DC should care about alienating longtime fans and customers, regardless of their location.
"Doing the right thing" is the reason for doing it at all; "marketability" is the reason for doing it in the way they do it.
The former is the answer to why they don't just leave them all white straight males; the latter is why they don't leave them old and fat and married (and why they don't do it by just creating new characters, which isn't what you were saying but while I'm on the subject...)
It doesn't matter what the writer, artist, or editor had in mind when they created it, or what they said in an interview;
all that matters is what is on the page.
I don't know that DC considers giving gays and minorities a fair shake as being an American problem. Saying "it's not something I have to deal with in my own life" is one thing. Essentially saying "I don't care about how gays and minorities feel" is quite another. We're all one big happy world. Nobody's asking you to go march in a gay pride parade, just cut them some slack when someone else does something in that direction.
And DC does care about not losing longtime fans and customers. For example, I've been reading DC for about 35 years and I find the fact that the invigorated their line to be very interesting and it has increased my purchases of their books.
It doesn't matter what the writer, artist, or editor had in mind when they created it, or what they said in an interview;
all that matters is what is on the page.
Because they are no longer a part of a fantasy world that implies that being white and straight is the only kind of person who exists or can be a hero.
It can also allow the writer to feel less skeevy about writing in such a world, which allows them to be happier with the work and produce better work.
It also makes the character more accessible to a new market who might be hungering for more characters of that sort.
It also makes me feel better about enjoying comics if I know that they are not being quite as exclusionary.
Last edited by glennsim; 12-14-2012 at 10:04 AM.
It doesn't matter what the writer, artist, or editor had in mind when they created it, or what they said in an interview;
all that matters is what is on the page.
I got to give to you guys in this thread y'all some disrespectful ass people, and comic wonder why gaming kicks it ass in sales.
Look at Assassin Creed the character has been Muslim, Italian, and Native American and game fans never complain or cry.
Now lets look some comics response to character change, Uncle Sam is green. Why would DC mess up such a good character I'm not reading DC anymore. See the different.
Also my fellow comic fans we got to stop, looking at problem from a race or I live in a different country and just look at a situation as a human problem. But that how I came up and I would never try to push what I believe off on other people.
Last edited by timeismoney; 12-14-2012 at 10:15 AM.
Animals sense weakness, sharks smell blood in water
Ishmael, Moses and Job, knew the divine order.
creating a new character solves this. don't need to change existing characters.
Based on what evidence|?It can also allow the writer to feel less skeevy about writing in such a world, which allows them to be happier with the work and produce better work.
And creating a new character doesn't work for them, why? Does this market even exist? How come they haven't been supporting new minority characters like batwing?It also makes the character more accessible to a new market who might be hungering for more characters of that sort.
So people should lose THEIR favourites (or have them altered to such a degree that they are barely the character that they have developed an attachment to) in order to make you feel better?It also makes me feel better about enjoying comics if I know that they are not being quite as exclusionary.
Mate, learn to read. Seriously. It has been repeated over and over and over and over and over and over and over again that we all think diversity is good. More blacks/gays/asians/australians/indians/kenyans/whateverians = good. No-one thinks otherwise (unless they're a racist)
It is the changing of the race or sexual orientation of pre-existing characters that we are against. It alters a character that certain fans may have developed an attachment to over decades of reading by messing with their backstory, the implications of their interactions with other characters, (at times) their personality, etc.
It is done, not to benefit the quality of the story, but as a gimic, an attempt to attract audiences which have been shown not to exist, or simply an attempt to avoid criticism by small, but vocal, groups of PC-loudmouths.
Last edited by bobbyraw; 12-14-2012 at 10:33 AM.
But nobody has explained to me why they need to bother creating a new character when they can change/replace an existing one.
Well, for one, the fact that James Robinson felt the need to retain a gay character in the Earth 2 circle. Also, other interviews I've read where writers expressed a desire to have the world they are writing about reflect the real world in that area.
ou
At the expense of over-generalizing, any new character needs a tie to an existing/past one to find an audience. And whether the market exists or doesn't, a marketing strategy that assumes yo.ur audience is only straight white males is not going to fly in today's society. And we don't know that that group hasn't been supporting Batwing.
If they are that attached to one version of a fictional character, then they have bigger problems than me and my feelings.
It doesn't matter what the writer, artist, or editor had in mind when they created it, or what they said in an interview;
all that matters is what is on the page.
So would you anticipate a company like DC, when asked about why they don't have more gay/minority characters, to say "Well, in our experience, only straight white males really buy our product, and they only want to read about other straight white males, so that's what we're focusing on."
I believe the answer to that would be "Then you need to do more to get other kinds of people to buy your product."
I believe I would also be willing to compare the size of the "small but vocal group of PC-loudmouths" with the small but vocal group of people who don't like alterations to their characters.
It doesn't matter what the writer, artist, or editor had in mind when they created it, or what they said in an interview;
all that matters is what is on the page.
And what you and others don't get is that these companies, have the right to do what ever the hell they want with these characters because they own them and not y'all.
So crying about it show that some of y'all lack the understanding, that these character aren't there to make just y'all happy.
But from what I gather from this forum is a complete lack of understanding.
Last edited by timeismoney; 12-14-2012 at 10:42 AM.
Animals sense weakness, sharks smell blood in water
Ishmael, Moses and Job, knew the divine order.
It doesn't, because they don't sell well.
New characters generally don't work because they lack the history of the older characters. This is true regardless of the characters race. Here's a few titles starring new white characters that did not last very long:And creating a new character doesn't work for them, why? Does this market even exist? How come they haven't been supporting new minority characters like batwing?
Aztek, Chase, Chronos, Manhunter, Resurrection Man.
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