You are seriously over thinking this, and in the wrong direction. I'm done. Like the Avengers film, you just don't get it. And probably never will.
You are seriously over thinking this, and in the wrong direction. I'm done. Like the Avengers film, you just don't get it. And probably never will.
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The Images' Eye - The Stacey Collins Band
* All my comments are strictly my opinion, you'll notice my tongue never leaves my cheek.
Only handcuffs draw their symbolic value from their practical function. You can't put them one someone they can't don't anything to an expect them to mean the same thing.
They could maybe have "captured" him in that bank scene, he may have also surrendered to them later at that remote looking road or airstrip.
I haven't don't any twisting, turning, or hoop jumping.
At least we don't have to worry, as we did in the recent Spiderman movies, about superman taking his mask off every two seconds.
The problem with a full mask is that it limits expression, which actors and directors rely on for live action performances. Spidey's mask doesn't allow for it.
I think part of the problem is this line of thinking. Because of this line of thought nobody is even willing to try keeping a masked hero masked the entire movie and see how it works out.
I still think they should go for the "make Spideys eyes emote like in the cartoons/comics" method of making Spidey emote.
Eh, Comics is a pretty cool guy...
That works well in the comics, but if Spidey's eyes move and emote like they do in the comics in a film... it is going to look beyond stupid. And if they talk to any actor who is into mime and body language, there is plenty of emoting that can be done with the body, and the heads position, and with the voice without ever seeing the actors face. It is more the actors vanity that keeps them from leaving the mask alone and on for the whole film.
Webmaster:
The Images' Eye - The Stacey Collins Band
* All my comments are strictly my opinion, you'll notice my tongue never leaves my cheek.
Sure there's a lot of acting that can be done without facial expressions. But there's also a lot of acting that can't be done without facial expressions. And I think most people in the paying audience relate more readily to the latter. Plus, I think audiences have a greater sense of feeling like they got their money's worth when they can see the stars onscreen, as opposed to seeing a guy with a bag over his head and wondering it it's the star of the movie or a stand-in. That's a big part of the reason why more and more actors have been doing their own stunts over the past decade.
I dunno, there's already plenty of pretty stupid stuff in the Spidey movies, I think emoting white eyes could work so long as they dont go too overboard with it. Plus people accepted the "Tony Stark inside the helmet view" even though it's a completely silly thing when you think about how its portrayed. But yeah, I agree, there are plenty of ways to convey emotion without
Eh, Comics is a pretty cool guy...
Michael Keaton's Batman did pretty well for himself keeping the mask on.
"I came to the conclusion that the optimist thought everything good except the pessimist, and the pessimist thought everything bad, except himself." -- G.K. Chesterton
None of which is relevant to what I said because I didn't say any of those things. But the fact remains that audiences like to feel a connection to the characters they see on screen. That connection is easier to make when you can see the character's faces and identify with them as people.
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