
Originally Posted by
Desaad
There is zero chance of Vertigo actually shuttering the operation, though I believe we'll see an end to the kind of risk taking, groundbreaking work with which it made its bones. If we're being honest, though, we haven't seen work like that in a long time; those earlier Vertigo books often felt like Manifestos from their authors, they really had something to say not just about their stories or their characters but about life, about the way we relate to each other, the world around us (this was also true of Ellis' Transmet, out of Piranha/Paradox)
While Vertigo has always been a bastion of quality, that element of the books has largely been missing for a decade now. We're getting some great books with some high concepts - I absolutely adore 100 Bullets, Sweet Tooth, American Vampire, BKV's various efforts, etc - but that kind of personal, philosophical drive is almost all gone. Mike Carey is the last person even touching on that, playing at the way that fiction and reality intersect and interact. Grant Morrison's Seaguy likewise, but even his more recent Joe The Barbarian was far more "Hollywood High Concept", as is his "Happy".
Whats odd is I'm not seeing that kind of illuminating work ANYWHERE in anything that approaches the mainstream, right now. Image, for all it's incredible quality, doesn't seem to be putting that kind of work out anymore, but for a few blips here and there (Ales Kot seems to be trying to say something, even if so far it's just been a less deft regurgitation of what Morrison said a decade ago).
I suppose one has to go further afield -- into the self published or Top Shelf -- to see that kind of work.
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