Shane, with Jack Palance as one of the all time great villains.
Shane, with Jack Palance as one of the all time great villains.
I guess that there would be sub-genres of western. I know there are some subgenres like Japanese or Spaghetti, but those labels don't really talk about the type of content but the type of setting or the creators.
My question would be, are there Western subgenres that indicate the type of action? and if so, which would be the subgenre of Leone's movies?
After seeing the Good, the Bad and the Ugly, my itch is for movies with the type of showdowns parodied in pop culture all the time. Good parodies, on top of my mind, are Back to the Future and episodes of animated series like Batman TAS, Justice League, Beetlejuice, the Real Ghostbusters, etc. Heroes or antiheroes facing town bullies in final showdows. As a matter of fact I just remember another movie that fits the bill, even though it's set in Japan: Yojimbo, which is basically A Fistful of Dollars.
Characters: Elongated Man, Batman, Satellite JLA, Super Buddies, Sandman, Swamp Thing
Writers: Moore, Gaiman, Cooke, Giffen/DeMatteis, Miller, Dini, Morrison, Waid, Meltzer, McDuffie, Barr, Englehart
Spaghetti westerns post-Leone tend to the action-oriented, but also, generally "shoot'em ups."
See also, as that sort of Western removed from the Old West setting: Yojimbo (which was remade as Fistful of Dollars, Last Man Standing, etc, and is based, at core, on a Dashiell Hammett novel), The Crow, The Getaway (the original, anyway), Gun Crazy ("This is a fairytale about a woman and guns"), either Vampire Hunter D movie, large chunks of Kill Bill, Robert Rodriguez's Mariachi trilogy, The Crow: Wicked Prayer, half of John Carpenter's movies, including Ghosts of Mars, Big Trouble in Little China, Assault on Precinct 13, Vampires and Escape from LA...
The basic story of those movies, and all the others that've been based on it, is an American story. It's Dashiell "The Maltese Falcon" Hammett. When it comes down to it, the Western is American, sometimes modified or codified by others, but it's an American mode, an American myth, especially that "playing both sides" gambit. At least, as it comes down in popular entertainment of the past hundred some years.
Wake me up when it's over...
One of the best Westerns of all-time is on AMC right now.
Winchester 73 starring Jimmy Stewart. Love that one.
I have a lot more time for John Wayne than just about any other Indian I know, but when I think of the pinnacle of Westerns, Eastwood's face, the Eastwood touch, keeps cropping back up. And that's despite my not being all that hot on Unforgiven.
And, when you see a Western parody, anymore, it's mostly Eastwood scenes you see parodied or imitated, from Back to the Future to Sailor Moon.
The Searchers is ABSOLUTELY NOT a film you should watch if you're unfamiliar with both John Wayne's and John Ford's movies, since it's a culmination and subversion at the same of the mythology Ford had built for the west, as well as of John Wayne's screen persona.
The man was not Daniel Day Lewis, but he wasn't Steven Seagal either.
That's right! Al Gore invented the internet, let's all go kick his ass!
I got your inconvenient truth right here, motherf*&¨%!
Donald M.
Terence Hill was awesome in My Name Is Nobody. And a western with Bud Spencer and Terence Hill can never do wrong for the sheer entertainment value.
The John Wayne vs. Clint Eastwood discussion here is ridiculous. Neither Wayne nor Eastwood showed much "acting" in their best westerns (I use quotations marks because "acting" has become a pretentious label). They pretty much played a certain type of character with slight variations. Both Wayne and Eastwood lived off of screen presence and great line delivery. It's disingenuous and biased to pretend that Wayne couldn't act at all or that Eastwood was closer to Brando.
Most Indigenous Americans have little or no time for the Duke just out of reflex. And, yeah, he did some problematic movies, but he also did some great movies. And, he only gets loud about racial politics irl, after he gets thoroughly mocked for the attempted pro-integration (and unnecessarily weirdly sexist) McLintock. Which, doesn't speak highly of him, but also doesn't make his movies all retroactively suck, and now he's dead anyhow.
It's weird; you go to a rez and everyone will swear westerns are shit, nobody watches %*($!ing westerns, but five seconds of Ennio Morricone and everyone's in front of the TV, 'cause that's not a western, that's serious business.
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