Azz and Chiang are doing an amazing job on 52 WW. If not for Manapul Flash, it would be my favorite book. This interview just gets me excited for more.
Azz and Chiang are doing an amazing job on 52 WW. If not for Manapul Flash, it would be my favorite book. This interview just gets me excited for more.
Which fits, because I've always suspected that the Astro-Glider was at least partly based on a motorcycle. It'd explain Orion's odd posture if nothing else.
While I certainly agree with you on the "modern master" part, Walt didn't create that design. It was a riff on Orion's old Super Power action figure.
Admittedly, Walt made it look FANTASTIC.
Mario Di Giacomo
Yup, I do remember the influence, but I think it's a very different animal, despite the obvious reference.Originally Posted by mdg1;16187722
While I certainly agree with you on the "modern master" part, Walt didn't create that design. It was a riff on Orion's old Super Power action figure.
[IMG
That first Super Powers Volume never got the respect it deserved, I'll say that. Jack Kirby's involvement made it something...well, not perfect, but special all the same. All the better when he took over the project completely at the end there.
As for the Astro Glider, I've always imagined it had more to do with it being one giant canon. The rebellious motorcycle imagery was, I felt, represented by the Forever People and the Super Cycle moreso.
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Last edited by Desaad; 11-20-2012 at 03:30 PM.
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Except the weapon isn't in the middle. Consider this...
Take a motorcycle. Put a rider on it. Take away everything except the handlebars, footrests, and fuel tank. Look familiar?
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Mario Di Giacomo
There are three elements to the Astro Harness: The Central piece, crackling with energy, and the two side guns.
And as you can see in the first gunner image I posted, having two seperate guns is one style of canon/machine gun.
I maintain that it's based off of a canon/machine gun more than Motorcycle, though I can certainly see where you're coming from. It makes more sense thematically, to me, for it to be canon-based.
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Mixture of both, perhaps?
I'll admit I handwaved the center piece a bit, but the rest still screams "biker" to me, even in that original design.
(There's only a gun on one side, BTW).
Mario Di Giacomo
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I remember. You're Mario, aren't you? You used to co-mod the Alvaro New Gods board with Sean.
I posted there occasionally, in my youth, as "Astro". Was always wonderful to see Walt on there, answering questions. I remember a couple of his replies in far too fine detail, especially some of his talk of plans for the future of his book.
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I prefer this design as well, it actually seems more streamlined to me than the other one. Also helps break up the monotony of red and black with some silver in there.
Those pages are beautiful!looks like I have to track down Simonson's Orion.
But what's this? Rob Liefeld drawing New Gods???? WTF????
Jean Grey : What makes you such a bitch, Emma?
Emma Frost : Breeding, darling. Top class breeding.
Walt used to run little backups, sometimes written by him, sometimes written by others, but always drawn by one of his friends from the industry. You had the birth of Orion, written by simonson and drawn by Frank Miller, you had a backup drawn by Dave Gibbons, one drawn by JP Leon, one drawn by Art Adams, etc. One of the backups was written by Jeph Loeb with art by Rob Liefeld.
A match made in hell, I KNOW.
I think my favorite aspect of that was the little 'next issue' blurb in the issue that preceded it. It was something like "A backup written by Jeph Loeb and drawn by Rob Liefeld. Yes THAT Rob Liefeld...but also THE Jeph Loeb". At the time Loeb's work had been universally well received, or nearabouts, so the advert was basically saying...hey, stick through the crap art for the good story.
Anyway, yes, Simonson's Orion was a gorgeous, gorgeous book. I'd say it was his best work ever, but his recent GN looks great too.
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