
Originally Posted by
Desaad
When it comes down to it, what makes me saddest is that this issue didn't not work for me because it changed anything about Superman. When JMS took on Supreme Power he wrote a very twisted take on Superman (and Hyperion). But I loved that series, regardless. I think I'm open to different interpretations of the character, even interpretations that drastically redefine certain key elements of the character, when you're dealing with different continuities.
My main issue with this book was that it was just bad. It was amateur hour. So much of it was telegraphed, and inarticulate, awkward. You know exactly what was going to happen to the junkie. You knew exactly what was going on with the girl. The girl's actions were unrealistic, at least by my experience, even for women prone to that kind of self destructive behavior. The resolution to the dictator situation was childish wish fulfillment, which is fine, if he hadn't made this point earlier that that sort of resolution was never going to fly in this more 'realistic' setting. No teacher from 7 years ago would go into such meticulous detail about a former student over the phone to a personnel office; again, it just wouldn't happen. Even little things like the TV news commentators breaking out laughing at the 'just doing what he thinks is right' is just such a cheap, easy and unnatural tactic to get the point across. Much less big things like JMS actually going so far as to use the 'Man of Steel, Women of Tissue Paper' line, and have Pa Kent say it.
I think part of the problem is that Earth One is trying to capture this feeling of youth, but JMS is as far away from youthful as any writer in mainstream comics, I think. I don't mean that as the crass insult that it may come off as, but I think he's writing outside his proclivity with this version of Superman, trying to be hip and provocative. In fact, one of the reoccuring themes of his work is the disappointment and corruption of the modern world, the failure to fulfill the promise of older, better, purer generations. It was plastered all over his Brave and Bold, it was all over the Marvel book he was doing with Weston.
When he was writing very classic superhero stories in "Brave and the Bold" I think, at least executionally, he was absolutely killing it time and time again. There is a poetry to his work, when he's trying, that really works, and his emotional manipulation tends to be more welcome when he's dusting off old characters and letting them shine.
The more I think about it, the more I decide that this just wasn't good, full stop. It's not an issue of me being wedded to anything that came before, its that this was not good.
And Shane Davis? Also not good.
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