
Originally Posted by
EricAD
I'm not trying to be argumentative just to be argumentative Flashpoint, but a lot of the stuff you're saying here just isn't true. Whedon didn't do "zilch, nada, zip, nothing" like you say he did. In fact, he turned in a full script around December of 2005. This is an excerpt from an interview he gave to the Onion AV Club a few years back:
Onion: With Wonder Woman, was it an "agree to disagree" sort of situation?
Whedon: I honestly don't know. I had a vision and they didn't seem to respond to the vision. I asked what it was that they wanted and Joel Silver said "I don't know." At first it was great, like "hey, they're letting me run with it." But then I figured out it was like "Firefly" – they were letting me run with it because they didn't like any of it. There was really no feedback because nobody knew what it was I wasn't giving them. I asked them point blank, because I'm always adaptable and collaborative. It seemed like nothing landed with them at all. It was clear that was happening because they said "Instead of your next draft, just give us an outline." Give us an outline means "we don't want your next draft." An outline never reads well. I needed to do it anyway, because the plot was wonky. So I got the plot in shape, all the themes, all the moments, all the things that I knew would work… but they said "This isn't happening."
So he did complete a draft... he only did an outline of what would have been his second pass at the character, but there is a Whedon Wonder Woman script in the Warners vaults. Both Mark Millar and Bruce Timm have had a chance to read it even, and both mentioned it in interviews the past few years:
This is what Mark Millar recently said about it:
Q: Are there any other superhero franchises you’d like to re-cook if you had the time…? Wonder Woman could use a hand…
Mark Millar: Actually, no. I think if you’d asked me a few years ago I’d say yeah, but to me I really like working in comics; so many of my friends who work in movies just tell me horror stories. You’ve got to look at Joss Whedon as the perfect example. Joss is one of the best writers on the planet. Brilliant guy, great writer, excellent director, white hot - and they brought him on to Wonder Woman. And they just wasted two years of his life. He didn’t have time to do anything else. He handed in a really good Wonder Woman script that just really got picked apart and ended up just not happening. And you never get those two years back.
And this is what Bruce Timm recently said about it:
Q: Will we ever see a Wonder Woman feature film?
TIMM: She's been a notoriously tough nut to crack in coming up with a movie story for her. Joss Whedon did a version that I actually really liked, but that didn't get the greenlight for whatever reason. There was another script that was fast-tracked for awhile, but has since been put on the back-burner. It's difficult to say.
As for the notion that he couldn't come up with a villain, he DID come up with one, and even mentioned that the villain was rooted in Greek Mythology. Just because he didn't use Ares, Cheetah or Circe (the only three big villains Diana really has) doesn't mean he wasn't going to come up with a villain that respected her mythos. Certainly more than the tv series ever did, which barely mentioned Diana's connections to the Greek Gods, if ever.
As for the Diana/Steve dynamic, he said he was going to have Steve give her s&%$ in a romantic comedy kind of way, not in a mean way... the way he described it sounded a lot more like how it played out in the recent animated Wonder Woman film. If you didn't like the Diana/Steve Trevor relationship there, then ok...but I think their banter in that gave their relationship a little bit of zing it had always been missing from the comics. Their relationship was so bland in the comics, the post Crisis version made her more of a brother figure and almost no one complained, because their romantic relationship had been so dull in the comics for years at that point.
Bookmarks