Yeah. It'd make a good cover for the trade.
Yeah. It'd make a good cover for the trade.
Issue 4 was finished on the last day of 2012. A good way to end the year.
Man I agree whole heartidly.
I thought the first issue was mind blowing but this topped it.
Those statues of the women with flaming mouths between their legs? Yeah, that creeped me out like no other visual ever has in a comic.
And the exchange between Hellboy ad his guide concerning the souls of the damned:
"And Who decides who's damned?"
"Each man's soul is his own. How he chooses to spend it...that is for each man to decide for himself."
I stopped and contemplated that for a solid 20 minutes, it seriously has to be the single most eloquent line ever written in a comic. I mean, really take the time stop and think about it, it says so much about the nature of reality not only in the book, but in my belief, our own as well.
The ending though was the crowning achievement: we bore witness to the birth of Hellboy! The imagery was stunning, I loved that Hellboy seemed to be born out of the very ashes of his mother, there's something mythic and powerful about that and it's something I don't think is simply going to be left alone.
Oh, and my letter got published! That thrilled me. I wrote it after reading Return of the Master #2 but what I said about second issues holds just as true for Hellboy in Hell as well.
Beautiful issue, just amazing.. I just finished reading it and will now read it again.
SPOILER QUESTION
On the page where the ghost gives Hellboy the dagger and they quote Macbeth. The one panel has blood on the dagger as it falls to the ground, with what they say and the blood I'm guessing its implied he kills Satan? Is that right?
If he did just die, well, I would have loved to see what Satan looks like before he went.
Ars longa, vita brevis
www.mscorley.blogspot.com
I don't think they killed Satan, I thought perhaps it was blood from the guide. The way he was holding it in that first panel it almost appeared as if he had pulled the dagger straight from his own chest to offer it to Hellboy.
Ars longa, vita brevis
www.mscorley.blogspot.com
Artistic license?
I don't know for sure, but I just don't see Mignola dropping something that big on us in between panels.
It definitely seems like something that will have a greater significance later though, so I doubt we'll be left hanging.
Ars longa, vita brevis
www.mscorley.blogspot.com
Same here, the statue was cool looking but I'd love to see the real thing.
I suspect he would have some form of that mouth for a torso look that seemed to be everywhere this issue.
OK, now that you've all read Hellboy in Hell #2, I can finally talk about this. You can only imagine what it was like for me at NYCC to be reading those final pages with Hellboy getting his right hand cut off by his own father while Mike Mignola watches me reading it with a devious grin on his face. And when I started saying how fantastic it was, he just shrugs and nods his head. It was an amazing moment I'll never forget.
That ending was incredible. So incredible.
I love this comic so much.
Ars longa, vita brevis
www.mscorley.blogspot.com
You're telling me! It was amazing, yet I couldn't talk about it on here without spoiling issue 2. Kees wasn't wrong when he said my report from NYCC was a bit reserved. It had to be. All the most exciting things was stuff I couldn't talk about! Man, comic conventions in America are awesome. No comparison to the ones here at all. They're not even the same creature.
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