And on the topic of manga, any violence you see in an American comic, you'll find the same or worse in a manga aimed at 10 year olds in Japan. Most Japanese kids don't turn into little hellspawn so content not a problem.
And on the topic of manga, any violence you see in an American comic, you'll find the same or worse in a manga aimed at 10 year olds in Japan. Most Japanese kids don't turn into little hellspawn so content not a problem.
I think your statement is flawed... comic books 30 - 40 years ago had story, decent art that didn't feature lots of blood and gratuitous violence, had some educational value and yes, a better price point. In other words, comic books 30 - 40 years ago were like a PG movie... today's comic books are more like an R rated movie. They are geared towards adults and I feel publishers and the audience take comic books far too seriously, whereas 30 - 40 years ago they were viewed as cheap entertainment.
I tend to agree with you. People seem to find money for, to me, bizarre crap for kids. Lots of kids in my kids' school get I Phones, cool new clothes routinely, and music and video games. I know times are tough but a lot of buying decisions amaze me.Kids could get comics if they knew where to get them and had been exposed to them.
I think that the comic industry could help itself by working with schools and pushing it as reading material. Because that is what it is and studies show that reading is reading and the type of content is secondary to the act when developing the mind.
Plus, by far the most popular books in my kids' school for a while were the Hunder Games books. There is NOTHING in the DC world that is darker and more deranged than a set of books about children death matches in a vicious totalitarian state. And these are not atypical in kids literature.
Last edited by Brave Sir Robbin; 06-27-2012 at 09:00 AM. Reason: spelling error
You're talking about books like Batman (which returned the character to it's darker origins, and often had the main character do such things use the name of the Lord in vain, quite a no-no back in the day), or Warlord (who ran around with scantily clad women and ran people through with his sword) or Conan (see previous) or The Amazing Spider-Man (where the Goblin is shown being run through with his glider), or Green Lantern/Green Arrow (where Oliver's ward was shooting up heroine), right?
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If I understand that comment correctly, you seem to be under the impression that the price of comics is due to the paper stock. It isn't. The combined production and distribution costs of comics all contribute to the price, and make the profit margin comparatively low. You could print them on toilet paper, but you'd still have to pay the creators, pay the printers, pay Diamond, and let the comic stores take their cut, so you still wouldn't be able to significantly lower the cover price.
There was a certain level of campy humor that went with all that violence. There was also a measure of disbelief. I agree that many of these are definitely more R than PG-13, though not all, but none of them are just PG anymore. I'm not saying there weren't violent comics I'm saying right next to those I could get a Superman, Batman & Robin, or Captain Marvel that a 5 year old could read without needing a discussion about nightmares.
As for the Goblin and Spidey, they are part of a story that is as important to American Literature as Theroux's Walden or Thompson's Fear and Loathing.
There ain't no teens watching Teen Titans Go.
On the other hand, most original manga I've seen has been printed in large, phonebook like volumes that run several monthly series concurrently. Production values were not high; most of them were printed in black and white on newsprint like paper. This may represent a better price point -- but we'd still have to have retail space to carry similar volumes here.
A lot of us miss a lighter mood and "campy" material (technically, it isn't camp or even campy; those words have a more specific meaning in my eye, and true camp is always created unintentionally), but this is an aesthetic preference that probably doesn't have much impact on the current market. The turn towards the unpleasant happened mostly after we lost the newsstand market; it is more effect than cause. Still, getting the books before more eyes would help.
Last edited by SteveGus; 06-27-2012 at 09:35 AM.
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I think people who found these works after the fact sometimes feel this way. But even with that, I think it's hard to look at what's in a book like Green Lantern/Green Arrow #85 and think of it as 'campy". Same could be said of Amazing Spider-Man 96-98.
Again, I'd point to the 1970s era Batman, which introduced the Man-Bat -- which could be pretty darn frightening to a five year old! In an effort to be more relevant to college aged students, Superman started having more edgy and "adult" story-lines, too.There was also a measure of disbelief. I agree that many of these are definitely more R than PG-13, though not all, but none of them are just PG anymore. I'm not saying there weren't violent comics I'm saying right next to those I could get a Superman, Batman & Robin, or Captain Marvel that a 5 year old could read without needing a discussion about nightmares.
There's actually more "kid friendly" superhero books out today (Brave and the Bold, Marvel Adventures, Teen Titans Go, etc.) than there ever were in the 70s.
Well, I don't know if the story rises quite to that level, though I agree it's solid literature.As for the Goblin and Spidey, they are part of a story that is as important to American Literature as Theroux's Walden or Thompson's Fear and Loathing.
Observe, Orient, Decide, Act
I have an easier time finding Manga than comics. Every book store in town has a section with books crammed tight into it. Of the 7 "book stores" in town that offer Manga only two carry comic books, and as for the one "comic book store", no Manga anywhere. And that is in America. Production quality may suffer but price is the problem.
There ain't no teens watching Teen Titans Go.
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Last edited by Jim Thompson; 06-27-2012 at 09:58 AM.
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