
Originally Posted by
Kees_L
Hiya and welcome, Me!
You might think that (the bolded bits) but I feel to disagree. I feel what's being conveyed is that even pretty girls who declare themselves godesses on account of having snakes for hair, a serpent-style body from the waist down, or just due to thinking to be knowing it all, could turn out to not actually be knowing it all, like when they'd get beaten in a one-on-one, becoming but soggy carcasses with horrible teeth, not riding the backs of dragons on their last day, but more rather just biting the dust.
For a turn of events amid any narrative, I would be thinking such a powerful plot-point IMHO.
So for storylines, things wouldn't have to be appearing "in flux" too much here. But more rather any apparent fluxy aptitudes could well be intended and part of it, for all I'd know.
A destiny or purpose or promise of story just fulfilled to the letter would likely become to being as dull as dry dust, wouldn't it?
Because eventhough reason or payoff or mystery-unveilment might seem to need being straightforward, but in actuality it wouldn't have to be very straightforward at all.
Since depending on what perspectives to take, any stuff could seem to be very different or even paradoxical, both realistically as well as in any imaginable reality. And any narratives will work by the grace of enticing readers into being to imagine along, onto any or some of such perspectives to take?
It might be that for a heroic lore, Hellboy or the B.P.R.D. would be proposing stuff along a similar vein, as other nifty comics or works, yet also a new one potentially - like how in some folktales or scary stories any good versus evil would not ever be proving but black-and-white. Hellboy doesn't look like much of a good guy - intentionally I'd think. Plus he doesn't do what he's told.
In Ilyas's Oddyssey (by Homer, but not Simpson) or either Gilgamesj, or actual indigeanous folktales, lots of stuff would similarly seem mysterious or unexpected, or downright shocking-seeming, or at least nothing all-too-black-and-white, in many respects.
I'd go so far as to say that particularly traditional popular(-ized) superhero comics or Hollywoodified popular entertainment, both as the commercial child-friendly "faery-tales" of for instance the brothers Grimm or Walt Disney, would excell in aspiring to be seeming straightforward instead of mysterious or unexpected. Potentially pointing out the difference between "popularized" and "popular". Whereas for stories of any time or format, unexpectedness or mystery and wonderment would be seeming a strength more rather than a weakness.
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