Story By Story- Story Circle of the Capital Region.
My own Youtube account, stories and public library use tips.
I don't think they hate their fans, they simply don't care about anything other than money.
And as Buried Alien said some "old fans" seem to be pretty happy about the changes. Is the younger fans - the ones that grew up with the "newer" generation like Wally, Donna, Cass, etc that lost the characters they cared about.
Last edited by shark; 04-25-2012 at 07:25 PM.
I don't think that the Zero issues are there to fix an error in not providing origins. That failure would be on the writer or editor for not doing enough to explain their characters. Some books did get origins like Blue Beetle, Superboy, and Action Comics, and some books explained origins through flashbacks.
I do agree that the storytelling approach has changed dramatically since COIE. It seems that the art dictates more than the dialogue, and the panels per page has decreased dramatically. Some of these books are read within minutes.
Perez did a good job with breakdowns and dialogue but he drug out his story way too long.
The new52 was there to put old and new fans in the same boat discovring or re-discovering their favorite heroes. DC heads failed miserably by making old fans assume that their favorite characters wouldn't be rebooted. That lead people to believe all their stories would fit in a 5 year period. They kept getting shocked by reveal after reveal that it wouldn't be the case.
Well, I will go with Superman since I know that's one of you favorites. Action Comics #1 presented a Superman I was familiar with but never actually read on a monthly basis. It was a change in attitude that reminded me of the past but in the present and also new in a way because of that. I knew the new suit was to come and did in Superman #1. But this was different than Bryne's reintroduction. While his history may have changed then, he was still the same personality. But this was a different personality that would or should tell a different story going forward. It just seemed fresh while also a historical remembrance of what used to be. It took me longer to warm up to the Flash for instance since he's been dead to me for years now and Wally was the Flash. Its a great looking book that also seems to have a new take of the character. I remembered when his first run was cancelled and it wasn't what I'd call an exciting period for the character. Not that I thought he should die but it did help make the death more acceptable. And that's not to say everything was wonderful. Some titles took a time to grab me. Red Hood is one of my favorite books now but at first, I was suspicous that this was even going to last six issues with me. In fact the whole Batman family of books are greatly enjoyed by me. I absolutely love Gotham City and its inhabitants more than ever. Of course Wonder Woman has torn down much of her backstory and resulted in a character that whose adventures I cannot wait to read each month. On the weeks it arrives, its always my last one because I just want to finish off the week with something I can't wait to get to and hate when its done. Hands down the most improved character. Even titles I stuggle with like Hawkman keep me wanting to see more. Of all the new 52 titles, I can only say Men of War was the biggest disappointment with how each issue seemed to open in the middle of some story and end before it was done to only go through that again. I was a little surprised that its last issue was basically a issue of Frankenstien but it was a nice surprise since that title hadn't done that before. And with the Wave 2 books, there are six titles I'm looking forward to rediscovering new and old characters all over again. This is the best time for me to be a fan.
For the really old fans, I think this is more similar to what they remember from their childhood. Legacy heroes are more of a nineties thing.
Perfect humility dispenses with modesty.
Right, also, let's remember that prior to Flashback, the Superman titles were heavily interlinked and suffered by having 2 of their big name writers abandon the books right in the middle of their convoluted story arcs (Johns left during the New Krypton arc and JMS left during "Grounded" - both of these storylines had big potential that was squandered).
Morrison's current Superman run is self-contained and seemingly not riddled with tie-ins to other events like the Superman titles were pre-Flashpoint)
Not to take away anything from Morrison (who is a great writer), but he was provided with stable ground and a lack of editorial chaos that Roberson, Cornell and Robinson hadn't been given.
There are the older heroes, sure. But it's not really written in the same style as they used to be written in. I've been kind of disenchanted with super-heroes lately but I've also gone back and started reading stuff from the '70s and '80s. Man is that old stuff great. I wasn't even around for it and I miss the old style.
Story By Story- Story Circle of the Capital Region.
My own Youtube account, stories and public library use tips.
Sort of. But not exactly the same Helena Wayne. The original version was never Robin, and snuck behind her father's back to go into costume (he eventually figured it out, because you can't fool Batman indefinitely). We don't yet know what other changes have been applied.
Everything I state is JUST MY OPINION. Take what you like and leave the rest.
The only people who think that "old" fans got back what they wanted are people who weren't around at that time, "back in the day" as the saying goes. Since DiDio tries to pass himself off as an old comics fan, it would seem strange if he actually thought any of this was a "gift" to old fans. I can't believe he really thinks that, because to be a publisher you have to have some intelligence.
Exactly what they are trying to do I can't quite make out. Part of it seems to be keeping brands alive. The content of those brands doesn't really matter to DC--content probably doesn't have any market value. I guess they are trying to protect the "Barry Allen" brand, the "Earth 2" brand.
I understand it's a business but you didn't have to get rid and ruin so many characters in the process.
What was the mess done to Static? Mr. Terrific? Starfire? Power Girl? Firestorm? DC screwed themselves when they let bad editors and writers and big events hold books hostage.
How many books could a person read in the old DC that weren't having to change story lines because everyone had to get screwed over by Blackest Night, 52 and Flashpoint?
Also yes your readers are getting older, however you are STILL not trying to get new readers. Sooner or later you have to move out of the comic book store to where fans are.
I was in a Barnes & Nobles buy Miles Morales's trade and guess what I saw KIDS all over the manga section. They weren't even looking at the graphic novels. Sooner or later you are going have to figure out how to get them to pay attention to comics.
Especially those Young Justice fans who get might get interested in reading the comics-only to butchered down versions or worst certain characters not around for whatever reason.
I'm a long-time fan (but still relatively young--I'm only 27), but I haven't really been bothered by the New 52 at all. In fact, I'm glad it happened. I think it should've been done a long time ago actually.
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