
Originally Posted by
Hrist
It's a very Whedonesque scene. The basic concept behind Buffy was doing that scene from a horror movie, where a perky blond teenage girl wanders into a dark alley and gets eaten by something that goes bump in the night— and then reversing it, having the teenage girl just wail into the monster. But it plays on that expectation. The scene from the Avengers works on a similar premise, it's deliberately setting up a damsel-in-distress scenario, deliberately setting up this sexual peril, in order to turn the whole thing around. But it's not a coincidence she's dressed in an evening wear and that her captors are commenting on her appearance, or that the way she defeats them all is by basically destroying her bonds and using them as a weapon. I think she also chokes some dude with a chain in that sequence? It's all deliberate, all symbolic. And by making Natasha definitely pretty, calling attention to the sexy elements, I think Whedon is, you know, meant to make us question that at least a bit, the sexiness, while at the same time it is still invoking this sexiness, in a way that never would be invoked for Captain America.
I think that sort of turnaround is something Natasha's 616 canon plays a lot with— Natasha isn't a gender neutral character, she is someone who often gets mistaken for just a pretty face, and uses that to her advantage. The element of seduction/intimacy is standard fare in spy stories, even with male protagonists, and so it makes sense her character delves into that stuff, too. But I think that sort of character is only really successful if there's more to their motivations/existence. The more her M.O. is "get tied up sexily only to take the bad guys down" the more the emphasis becomes just "get tied up sexily", you know? But I think in the film it was handled pretty smartly, because we saw Natasha in a lot more context. Her role in the final battle was stealing an flying motorcycle thing and figuring out how to close the portal, not like, distracting the gross aliens with her sexuality, and that's where Whedon succeeded where a lot of others have failed.
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