Once again, what's the preoccupation with power feats and badassery? Is that what really defines a comic book character for people these days? I don't get it.
Name a character of the same age range as Peter, same working background, same place of work (or used to), interacts directly with the hero and with the same supporting cast and yet is on the other side of the coin, somebody who tried to be a hero but fell off the path so completely. Harry Osborn shares a very few similar traits but other than that I can't think of anybody who has come from this direction and been put in the position of a slow-burn antagonist of note, and therein lies my interest in the character. It remains to be seen if such an interesting set-up ends up capitalized, but I'm not going to prematurely and irrationally call Urich a failure as a Hobgoblin when it's clear his story isn't over yet. Let's face it, your opinion is heavily biased in this matter because you're such a big Kingsley fan. Blatantly so, because there can't be a discussion about Phil Urich without Kingsley being brought up ad nauseum.
We get it.
Like I already said, I don't judge characters by feats. I was just yanking your chain there.
I said the general dark mirror thing has generally been done, but each instance has been from different angles so that there's never been an actual retread. Stop butchering my posts plz.
I plainly see a great potential in the character and his set-up. He's not meant to be 'endearing', he's a villain. It's like Pro-Wrestling really: a good heel (bad guy) is somebody who plays their part well. They can get their ass beat every week and yet still hold onto that devlish charm that makes you want to see more of them, and look forward to the time when the face/hero steps into the ring with them once again. Just think: how many embarrassing defeats has Doc Ock had over the years? And yet he's still a magnificent bastard.
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