Who is Michael?
Funny how it fits with both definitions of the link you yourself gave, yet you're still going against it. Why don't you write a letter to Webster to change what the word means instead. I'm sure they'll find your explanation very interesting.
Was Sandman not published by DC? Is it not published by DC as much as 'pretentious' doesn't mean the definition given by Webster? :D Because I would be good in that case.Wait, so to make the claim that corporate superhero comics are a vital and vibrant source of artistic merit you name one title and it's Gaiman's Sandman?
...And does Mr. Goddanm Batman says so much as ''Thanks''? OF COURSE not. That'd hardly be GRIM AND GRITTY, would it?
The jerk...
-DKU's Jim Gordon.
Yeah, not so much.
I mean, even if we were going to let you cherry pick two words to be synonymous with "pretentious" even though they're not, you've still not shown the claim to be incorrect, exaggerated, or unwarranted and, therefore, you've not shown it to be what you'd call pretentious. It doesn't work with the actual definition of pretentious either given that someone pointing out that while mainstream superhero books rarely exhibit high artistic merit but that they love them anyway doesn't really work as "making usually unjustified or excessive claims (as of value or standing)" nor is it "expressive of affected, unwarranted, or exaggerated importance, worth, or stature" either. It's not even ": affected, grandiose, highfalutin, high-minded, la-di-da" or any of that.
It's just honest.
You don't seem to have interpreted anything correctly.
Superhero comics can be good, or entertaining but they tend not to be genuine works of art.
I've enjoyed plenty of superhero comics more than Watchmen. None of them are better in terms of being a work of art.
Do you understand the difference?
Fables isn't a superhero comic, and it's one of the last comics DC/Vertigo have under a contract where the creators get decent remuneration for having an ownership in their work.
Creator owned superheroes isn't a guarantee of good superhero comics, let alone good comics let alone actually being art.
The Question was an excellent superhero comic that's been criminally ignored but it didn't get near high art because it was at the end of the day still stuck within certain storytelling and artistic restrictions it imposed on itself but it did have things to say which is more than can be said for most corporate titles then and now, while Swamp Thing tried and did new things with old concepts but in a way we'd not seen before, not even with genuine pioneers of the medium like Steranko or Eisner.
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