
Originally Posted by
Death Itself
This series has been nothing but disappointing to me. The idea of Waid retelling Cap's reawakening seemed like it was destined for greatness, but has just been some very pretty mediocrity. I thought this issue might redeem the horrible idea that Cap would try to use time travel just to save one person when he's seen literally millions die when they open in Arlington. For as long as I've read Cap I've envisioned a scene where, upon his return, he goes to Arlington to see all the people he knew that have passed. Given this series is supposed to be stressing how out of place he feels (it's in the title), I expected a poignant dramatic scene (they even had it in the rain like I imagined). Instead we just get Thor telling him to pull his head out of his ass, something he should have said in the previous issue the moment he brought up that "Gonna go back and save Bucky" nonsense.
Then there's the main story of meeting General Simon which was fine. Complaining about the changes in the world is what old people usually do (I know I do) and it had a wonderful uplifting ending with his nurse, but the small points in it where Cap is looking through is past are completely awful.
We've seen hundred, thousands, millions of times just how important making a super-soldier is to pretty much every nation on the globe and what happens when the first, most successful one comes back? Nothing. Not a blip. No one, not even the US Government which at this time is currently trying to recreate him yet again with Ted Sallis in the Florida everglades cares to go to the living source. Jeckie and Lord Falsworth are clearly not up on current events or just don't believe it's him, not that it's addressed in any way why he's not on a plane to England immediately or trying to find any of the Invaders besides Namor. The lack of reflective sophistication has been an ongoing problem with this book and every time a modern detail like DNA testing to be sure it's Cap or the government looking immediately into who's in that uniform, it only draws attention to it's not showing up anywhere else. Examples:
President interested in Cap: as if government and military presence in his life would stop there. They'd be all over him on every level, on and off the grid as we've seen with Josiah Bradley. He wouldn't just be off alone doing his thing. The awful Ultimate Avengers cartoon did a better job showing him with a constant Secret Service detail. Whether he wanted it or not, that's what would happen. He's a walking national security risk. A hostile foreign power grabbing a piece of his DNA is a problem.
Modern media being criticized: that same media would also be all over the return of Captain America. We've had a 24 hour news cycle for over 20 years now. Again, the Avengers: Earth's Mightest Heroes mini retelling their origin did it better, having Hank reference the books he's read about Cap. He's not just another guy in a costume. He's so important he gives The Avengers legitimacy with the government by being on the team. Going by this story, no one seems to care.
Cap looks for his old friends: but none he can actually find, because he has to find them later, but no logical "in story" reason is given, like Nick Fury. I was critical of Nick Fury not showing up but addressing it here works because Nick and a few of the commandos are SHIELD agents so it's fine they're not available or their very existence has been covered up (like Sharon Carter). The Falsworths in England? Not so much.
Cap looks for his old friends II: doesn't use any official channels because again, that would produce results. Few within the government would turn down a request from Captain America as opposed to Steve Rogers. Technically, he's still a operative (he's still drawing a paycheck and has millions as we learn later) and would probably have access anyway. A scene that didn't insult my intelligence is Cap being led to a room in the bottom of the Pentagon and allowed to look at Bucky's file. Or again, speaking to his isolation in the modern world, asking about people he knew and being told over and over again, "Dead. Dead. Dead." And wouldn't "Steve Rogers" who was a classified operative requesting materials on other classified operatives set off red flags to begin with?
I'll say it again: he's written his Marvel equivalent of Superman: Birthright. A very disappointing retelling with some pretty art.
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