So, you wrote that whole first section of the column and didn't once mention which "icon" you were debating?
Come on, which character was it?
My guess: Sherlock Holmes
So, you wrote that whole first section of the column and didn't once mention which "icon" you were debating?
Come on, which character was it?
My guess: Sherlock Holmes
Sure, go with that.
- Grant
So, I've been making the statement for a while now that DC publishes iconic characters for a while now, and I don't intend to stop. It's not because I believe that tehy are worshipable figures or that Batman is so popular that just the mere mention of his name will sell books and he will always be part of our lexicon. I say this because I stole the idea from someone else, sorry can't remember who it was, but I admit that this wasn't entirely my idea at first but it's become mine and I'm sticking with it (it's my Batman to the originator's Green Hornet/Zorro/etc. - it's not mine originally, but I'm running with it and giving a little nod to my originator).
I also say it because: Batman is representative of an idea. He is not a man who has had certain things happen to him and he goes on adventures because of it (more Spiderman then Batman), no he represents man's desire to enter the dark side of their sould to crush the demons (criminals) that linger there. It's the same thing represented by the icon that is the Shadow and many others. Superman is iconic of the stranger's desire to crush fear and anger and anything that stands in teh way of truth, justice and the American way.
They're Jungian icons (though he's not the only one to discuss this sort of icon so his fall from grace shouldn't tarnish this particular idea - it's not just Batman that's stolen). They are iconic, not in that they are a recognizable and major image of our culture, but in that they represent certain ideals and concepts.
The difference between these characters (predominantly DC's major heroes) and other comic's characters is that the majority of their stories are forever tainted by the fact that they represent a particular psychological concept - conquering fear by delving into a darker self, Ideal self vs. imperfect reality, etc. Now, there is some debate as to whether stories of these sort of icons hold up over the years, considering their point is fairly narrow and after a while the reader gets it and needs to move on, but this explains the years where these characters are not popular or writers are tasked with doing "more with Batman", etc. In the end we always end up back at the icon though. This is how certain characters are iconic.
Captain America is only the most obvious because he's draped in a flag. But the fox is not iconic of cleverness because he looks like a fox, he's iconic of these things because someone (probably Aesop) told a story that drew that comparison. So it is with Batman, superman, etc.
Ok, enough out of me.
I'm sorry, but does anyone else find humor in someone with a user name that includes the word crucified" has responded to a thread called "don't leave us hanging"?
I do.
I do to. I didn't think about that. Thanks for the laugh.
mmmm... sacrilicious
I just assumed it was Superman. Steve might be the only person who hates Supes more than Lex Luthor :)
And Steve made an interesting point: all fictional characters eventually become obsolete. The only real difference between characters like Paul Bunyon, Oliver Twist and Doc Savage is the absence of a corporate parent. Had there been a multi-million dollar business involved, we might still see see these characters represented somewhere in popular culture today (like Doc Savage cereal, for example.) Batman has faced cancellation a few times during the last 60 years ... the only reason he's still around today is because DC paid hundreds of writers and artists to keep him relevant. A few of them were successful.
With access to that kind of money and talent you can keep an icon alive forever. But you might have to stretch your definition of "alive" (insert distasteful Terri Schiavo joke here.)
Now that would make for a good Superman story. He runs up against someone like you. Goes and beats the tar out of Luthor instead. Eventually realizes he's just trivially gotten in the way of someone's plans and needed to be removed.
Better yet if you wrote it so that Superman never even finds out who it was. And the Evil Albino is happy, because while Superman was off kicking Luthor's ass, they got on with whatever it was they needed to do.
one of the highest principles of America is that we're a nation of people from different backgrounds living in equal dignity and mutual loyalty - Eboo Patel.
Ummm... sure... I think I'll leave the autobiographical comics for my next Moon Knight run, thanks...
And I haven't checked lately, but last I heard I'd have to contract pinkeye to qualify as an albino...
By the way, I've written superhero comics where the heroes never come remotely close to figuring out who was behind the situation, or even suspecting there was anyone behind the situation. For some reason editors and readers alike both hate them. Makes the heroes look like yutzes or something like that... Oh well...
- Grant
Bookmarks