
Originally Posted by
Shellhead
When I first started getting into music as a pre-teen, Billy Joel was one of my favorites. He has a strong, clear singing voice, some interesting lyrics, and plays some great piano. By the time I got to college, my taste in music had moved on from Pop 40 hits to heavy metal, classic rock, prog rock and the blues. So Billy Joel became more of a guilty pleasure that I only enjoyed when nobody else was around, like Abba and Supertramp.
A few years after college, an older friend of mine had tickets to see Billy Joel in concert, so a group of us went. Billy Joel had a cold that night, so his voice sounded lower and rougher than usual that night, and he did a surprisingly good cover of a Doors song during the show. It was an okay show, nothing special.
My friend brought binoculars, so we took turns getting a close look at the stage from our nosebleed seats. What I saw was very disappointing. Billy Joel was really into it. His drummer (Liberty Divito?) seemed to be ino the music, or at least put on the appearance of having fun. And a backup singer named Crystal Taliefero, who was also a decent local musician (this was when I lived in Indy) was really having fun. (I think she was best known as the female singer on John Mellencamp's song Cherry Bomb.)
But everybody else on stage looked completely bored. Like it was some kind of shitty minimum wage job and they couldn't wait for the next smoke break. Months later, when I was selling off stuff to pay for my move to Minnesota, I sold off my whole record collection, including several Billy Joel albums.
These days, I'm not much into Billy Joel. He got really overexposed during his marriage to Christie Brinkley, and I moved even farther away in terms of my own tastes, dabbling in rap and punk, lots of alternative rock and grunge in the 90's, and more esoteric stuff since, courtesy of the local college radio station.
Even so, I may still end up buying a copy of The Stranger. I think that was his best album. 52nd Street was pretty good, too.
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