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I missed last week's column, otherwise I would have piped up with some French language recommendations because I'm in the same boat - I have a pile of BD that I'm itching to read, but my French is...

The second to last sentence in the sixth paragraph just kind of trails off. "They got character names and titles wrong, weren't privy to the very latest rumors and news that I so ravenously digest...

This argument only makes sense if you ignore the existence of every kind of comic that is not superheroes - art comics, underground comix, BD, manga, webcomics, editorial cartoons, officially...

When I think of authors being stuck in a single genre, I think of two counter-examples (both British): Iain (M) Banks and Alan Moore. Both write all over the map, genre-wise and both have a dedicated...

If you're not up to tracking down every single issue of Heavy Metal, you can read the highlights here.

As a creator of fumetti, I've encountered the anti-photography sentimient from time to time from readers and reviewers (the weirdest being an encounter with a fairly well-known reviewer at SPX last...

I am saying that, actually. In terms of comics produced (regardless of language), European publishing houses have the American publishers swamped by a long shot.

If you are referring to just...

I strongly disagree with this comment. For the past two years, 99% of what I have been reading is European albums, with a very small amount of American floppies that I can't seem to shake off. In...

Actually, Lucky Luke is drawn in the Charleroi style, not the Linge Claire style.

One of the theories that I have seen about why the big two aren't embracing digital distribution as tightly as they (perhaps) should comes down to the fact that they know (subconsciously or...

To be honest, I'm not sure how this viewpoint can still be around in a post-Harry Potter world. If there's one lesson that publishers can learn from those books, it's that kids today absolutely want...