Brenz
03-23-2005, 09:24 AM
I took a writing class with Denny O'Neil, and he said Casablanca actually had a couple of inciting events, the courier's murder, and Ilsa's appearance.
http://www.livejournal.com/users/scabrendan/94636.html
re: antagonist/protagonist reversals. I've been kicking around for a while the idea of a two-in-one movie (or two movies) where it's first just a cop trying to catch a crook, and that plot ends halfway through, then we get a little extra info intercalated with different perspective that makes the crook into the protagonist. I think it'd be a neat challenge to see if both can achieve their goals without the two endings being at odds.
If anybody thinks they can pull that off, you're welcome to the idea. Just turn us a favor when you're famous. ;)
http://www.livejournal.com/users/scabrendan/94636.html
re: antagonist/protagonist reversals. I've been kicking around for a while the idea of a two-in-one movie (or two movies) where it's first just a cop trying to catch a crook, and that plot ends halfway through, then we get a little extra info intercalated with different perspective that makes the crook into the protagonist. I think it'd be a neat challenge to see if both can achieve their goals without the two endings being at odds.
If anybody thinks they can pull that off, you're welcome to the idea. Just turn us a favor when you're famous. ;)