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View Full Version : A Public Call - Help Me Refine My HOLLOW Pitch!


Larime
03-05-2009, 09:56 PM
I'm in the process of re-submitting HOLLOW to publishers now that we've put it back on the market, and I want the pitch to be the best damn pitch I can make. To do this, I'm asking anyone and everyone to help with the wording and presentation that is willing to - Gail, Kurt, any other pros are most encouraged to chime in, too.

Here's my initial attempt.

HOLLOW

Created by Larime Taylor

Sixteen year old Sam Andrews was born without a soul. As a result, he is destined to either destroy existence or be its savior.

Diagnosed with albinism and autism, one might think that life never gave Sam any color. They'd be right. But the truth is much more disturbing than that - Sam was born without a soul, and because of this he is a living, breathing Void, the very antithesis of existence. Left unchecked, this Void will grow and reality around him will unravel until he devours it all and nothing is left. He is not aware of this, though he senses that something within him is very, very wrong, and he did not choose this path. It was chosen for him by an ancient entity older than the Earth, itself, tired of making the trains of the universe run on time. Fitting, then, that it is in the city of Phoenix where Sam will either destroy the world or help it rise from the ashes. He will not go unnoticed for long, however. As the Void grows in strength, beings and powers long forgotten by man have started to take notice.

Israfel, the angel of Judgment, long ago lost her faith in humanity after watching it make the same mistakes again and again. Now she is a weary, cynical shadow of her former self desperately trying to find her purpose in world she feels no longer needs her, or even cares. She has sensed the Void in her midst, but has searched for it for sixteen years without success. She must stop it, must save mankind from destruction even as she wonders if it isn't what they really deserve.

Satanail, or ha-satan, was created to be The Tempter, The Adversary. Neither a demon nor a rogue angel, he is simply a being with a job to do - tempt and test humanity's weakness. The fact that he has come to enjoy his job is merely a bonus. He, too, now feels this Void, but he is curious about it and wishes to know more. Who created it? Why? The embodiment of temptation, he is himself a prisoner of his own curiosity, and it is starting to get under his skin. He must find it, but he cannot see it.

Only Iris Vega can. A Gen Y slacker, she is the picture of wasted youth, working a dead end job in a record store and doing too many drugs. But the drugs make her feel sane. Iris sees things, things man was not meant to see, and it is she that dreams of a pale boy destroying world. It is she - and only she - that can find him. Iris was gifted by her Mother with The Sight, and Seers are very, very rare these days. The only path to Sam and the Void will be through a reluctant hero that, like Sam, never asked for any of this.

And so the fate of existence comes down to a girl who is running from herself and her true calling, and a boy who really isn't a boy at all, but like Pinocchio, desperately wants to be, one day.

---

HOLLOW was created in 2002 by award-winning playwright Larime Taylor as a study of the human condition and a metaphor for his life as a disabled man. Issues of identity and belonging are at the heart of the story - a boy who is not a boy and does not fit in, an angel doubting her very reason for existence, a tempter that is hostage to his own temptation, and a young woman afraid to embrace who she really is and the way she was made to be.

Larime has also taken over art duties starting with issue #2, drawing the book with his mouth after Duncan Eagleson (Sandman, Shade the Changing Man) did guest art for issue #1. The book is colored by Larime's wife Danielle, a legally blind painter.

This is not your average comic book.

And this is why, even in today's market, a book like HOLLOW can thrive. The human interest angle of the husband and wife creative team is unlike anything in comics today, and is capable of bring mainstream media attention to a place it rarely goes. Newspapers, magazines - even television - the publicity and PR opportunities are unlimited due to the unique and fascinating story behind the story.

It has also been well received within the industry and without it. Gail Simone (Wonder Woman) and Ben Templesmith (30 Days of Night) have praised the book and written glowing commentaries in support of it. Bad Hat Harry (House) and Benderspink (The Ring, A History of Violence) have previously expressed initial interest in the project for adaptation to television or film.

Samples of the art from #1 and #2 have been attached for your evaluation, and scripts of the first five issue story-arc are available upon request. Your time and consideration are greatly appreciated.

DavidAllred
03-05-2009, 10:15 PM
My first impression is that it might be a tad bit too long, although I'm not sure which parts I would trim, I'm going to re-read it now. Do you have links to the art?

I think it reads really well until I get to his "unaware" state in which I find myself wanting to know why he's unaware, or if maybe his time of unawareness might be short enough that you could skip that. You might be able to put a period after "humanity" in the second paragraph and let the editor draw their own conclusions as to why the angel has lost faith, they'll probably draw the same conclusion you offer. I think maybe the Iris paragraph could be trimmed in way that kept an editor from thinking this was just some typical story about a kid on drugs. There might even be a way to draw you into that character more.

I think you start really strong, the trick might be keeping someone's eyes on your pitch just a bit longer by getting more visceral with the other major players. No doubt your major character solicits a visceral response and the way you've described him leaves me wanting more.

Dunno if that helps or not.

Larime
03-05-2009, 10:24 PM
My first impression is that it might be a tad bit too long, although I'm not sure which parts I would trim, I'm going to re-read it now. Do you have links to the art?

I think it reads really well until I get to his "unaware" state in which I find myself wanting to know why he's unaware, or if maybe his time of unawareness might be short enough that you could skip that. You might be able to put a period after "humanity" in the second paragraph and let the editor draw their own conclusions as to why the angel has lost faith, they'll probably draw the same conclusion you offer. I think maybe the Iris paragraph could be trimmed in way that kept an editor from thinking this was just some typical story about a kid on drugs. There might even be a way to draw you into that character more.

I think you start really strong, the trick might be keeping someone's eyes on your pitch just a bit longer by getting more visceral with the other major players. No doubt your major character solicits a visceral response and the way you've described him leaves me wanting more.

Dunno if that helps or not.

Everything helps,even if I decide not to use it. It's more eyeballs and brains telling me what they see, which is vastly different than what I see as I'm so close to it.

Your first two suggestions may be right. As for Iris, the point isn't that she's the 'kid on drugs', but that she's self-medicating because she sees things she should not be seeing.

Much appreciated!

DavidAllred
03-05-2009, 10:42 PM
Maybe?

Sixteen year old Sam Andrews was born without a soul. As a result, he is destined to either destroy existence or be its savior.

Diagnosed with albinism and autism, one might think that life never gave Sam any color. The truth is much more disturbing than that - Sam was born without a soul, leaving him a living, breathing Void, the very antithesis of existence. If left unchecked, this Void will grow: reality around him will unravel until he devours it and nothing is left. His disposition was chosen for him by an ancient entity older than the Earth itself. Set in the city of Phoenix, Sam will either destroy the world or help it rise from the ashes. Unable to stay unnoticed, the Void grows in strength and beings long forgotten have started to take notice.

Israfel, the angel of Judgment, long ago lost her faith in humanity. Now a weary, cynical shadow of her former self, she desperately seeks purpose in an apathetic world no longer in need of her. After sixteen years of searching, she has sensed the Void in her midst. She must save mankind from void and the destruction it brings, in spite of feeling humanity may very well deserve their fate.

Satanail, or ha-satan, was created to be The Tempter, The Adversary. Neither a demon nor a rogue angel, his mission is merely to tempt and test humanity's weakness. He too senses the rising Void and becomes a prisoner of his own curiosity. He must find the Void, but he cannot see it.

Only Iris Vega has the eye of the seer. A Gen Y slacker, wasting away on drugs, Iris sees things not meant to see. She dreams of a pale boy destroying world and she has the power ot find him. The only path to Sam's salvation is this reluctant hero who, like Sam, never asked fate to call her number.

And it is fate which brings a girl running from herself to her true calling: a boy who isn't a boy at all, but like Pinocchio, desperately wants to be real.


Sorry, I took liberty. It still might be a tad long, but I like where this is going! I almost think you're first paragraph is enough to hook them, btw.

DavidAllred
03-05-2009, 10:45 PM
Sometimes when I pitch, I go with one paragraph and an accompanying character summary. But don't listen to me, because I've been jamming to the Hampster Dance all night and haven't had a huge amount of success, but I'd be lying if I said I'd had none. :eek:

Larime
03-05-2009, 10:50 PM
Yeah, it's always a fine line between saying too little and saying too much. That's the tightrope I'm walking.

Writing scripts? Much easier.

Larime
03-06-2009, 12:09 AM
Do you have links to the art?

Here are some sample pages I'd use:

Issue #1 (Duncan Eagleson, Danielle Sylvie Taylor)

http://www.hollowcomic.com/06Done.jpg

http://www.hollowcomic.com/07Done.jpg

http://www.hollowcomic.com/12Done.jpg

Larime
03-06-2009, 12:11 AM
Issue #2 (Larime Taylor, Danielle Sylvie Taylor)

http://www.hollowcomic.com/Hollow02-8-9Spread.jpg

http://www.hollowcomic.com/Hollow_02_p03.jpg

Larime
03-06-2009, 12:23 AM
Issue #1 Cover (Danielle Sylvie Taylor)

http://www.hollowcomic.com/FrontCover.jpg

Issue #2 Cover (Larime Taylor, Danielle Sylvie Taylor)

http://www.hollowcomic.com/hollowcoverfrontsmall.jpg

Charles RB
03-06-2009, 10:13 AM
As with Stamen, I think shortening the pitch might be a good idea - IIRC, companies tend to like single-page ones, and it'd be a pacier read.

I don't know about the "this is not an average comic" - I can see the benefit to pointing out "hey, this could be useful for marketing" but "this is not average" might come off badly ("he's putting on airs and graces for an upublished guy!"). Not sure about mentioning disability either, that could be seen as an attempt at guilt-trip or irrelevant to the comic.

Reverend Smooth
03-06-2009, 10:47 AM
Disability's relevant to the storyline, and to the fact that disabled creators might get interest in the media. L's been approached by a major magazine that was interested in doing a piece because of that, the last time (or the time before, I forget) he went to SDCC, if Hollow got published.

The rest, I leave up to L, I don't write pitches.

Copper
03-06-2009, 12:25 PM
First time I've seen artwork from it--and wow.

The whole thing has this dream quality.

Corrina
03-06-2009, 12:35 PM
I would put Iris Vega just below the description of Sam and keep the two humans who don't quite know what's happening together.

Then I would segue into the other agents with "The supernatural players in this event are...."

It just feels right to put the humans & then the supernatural together, rather than having Iris at the end.

And it looks FABULOUS.

Larime
03-06-2009, 02:55 PM
Charles: The disability angle - both as it relates to the story and PR opportunities - is important. Is it exploiting my disability? Sure. It's my disability, though, and as much as it prevents me from doing things in life, I'll exploit the shit out of it when it can help me. The fact is that websites, magazines, newspapers and even tv stations will line up to cover the guy that draws with his mouth. I'm a three ring circus on wheels, and I'm selling tickets.:biggrin:

Copper and Corrina: Thanks! Does my art (the second group of pages) hold up okay in comparison to Duncan's? That's my only real worry at this point, art-wise.

As for Iris, I put her last because she's the only way the middle two can find Sam. In theory I agree with bumping her up and grouping humans/non-humans, but in terms of tying everything together, I am finding it flows better this way. Something for me to consider, though.

TomStillwell
03-07-2009, 08:08 AM
One problem I think is that the pitch is way too long. I know that Image & Dark Horse will only take a one page synopsis, a cover page, art, and a completed script.

And yeah, I'd leave the disability thing out. I know it's your story and the connection to the story itself is very real. I know that, you know that. The publisher doesn't. If this pitch came across my desk I'd feel like focusing on the disability angle to promote the book was a very desperate ploy. I'd really wonder if the creator felt their book could sell without that angle.

Good work stands on its own merit. Your work is great but the hype cheapens it, almost invalidates it. Publishers don't want hype. Without knowing you personally and your back story I probably would decline your pitch as it is.

Now if a shortened pitch for Hollow focusing only on the story and that amazing art came to me I'd seriously consider it.

heystacy
03-07-2009, 09:22 AM
Hello Larime,

You have promising work so far. The art is beautiful. Let's talk about the pitch.

Formatting: All pitches should be at one page. I've been told even if a company says you can submit more than one pages, they are likely going to have time to read one page. You have to catch their eye and make that critical impact that compells them to read more.

I took the liberty of cutting and pasting the pitch in Word to see how much pages it would be. I double spaced everything before the page break, and it's two pages. :frown:

Words many writers hate to hear, but you have to trim that down. Strip it down to the necessary parts the editor needs to know.

The first paragraph, Sixteen year old Sam Andrews was born without a soul. As a result, he is destined to either destroy existence or be its savior would be perfect for you cover letter. Make sure to mention the genre, and how many issues as well.
I'd keep the cover letter short and sweet. It's a formal business letter. You don't need to retell your story. Let the synopsis do that for you.

I'm in the middle of finals, but if you have any questions or need some more detailed assistance, please feel free to email me.

Best wishes,

S.