dancj
02-27-2007, 06:24 AM
I just recently finally read the Promethea book 5 including the incredibly famous poster/comic combo finale - issue 32. I remember at the time people were amazed by it, but I'm completely underwhelmed.
In Alan Moore's Swamp Thing run - issue 61 where he went to a planet populated by sentient plants had a page where several panels showing pictures of other things all combined to make a shot of Swamp Thing's face. When I first heard about the combined comic/poster thing I'd hoped it would be a grand scale version of that. It would be incredibly difficult, but if anyone could do it then it would have to be Alan Moore (or Grant Morrison).
Instead the comics and posters seem completely unrelated.
As posters it forms two paintings, neither of which are anywhere near the standard we usually see from J H Williams and both of which have
line drawings plastered all over them which don't form part of the big pictures in any way.
As comics, we get line-drawn comics slapped over the top of small portions of the paintings, but completely ignoring those paintings, making them much harder to read. We don't get any sequential narrative whatsoever. The art in this issue (both big and small) is completely unrelated to the text which carries all of the actual content here - and that content appears to just be an appendix.
It just seemed to me that Alan Moore had this idea for something that could be really impressive and then went barely half-way there resulting in something that fails as both a comic and as posters.
In Alan Moore's Swamp Thing run - issue 61 where he went to a planet populated by sentient plants had a page where several panels showing pictures of other things all combined to make a shot of Swamp Thing's face. When I first heard about the combined comic/poster thing I'd hoped it would be a grand scale version of that. It would be incredibly difficult, but if anyone could do it then it would have to be Alan Moore (or Grant Morrison).
Instead the comics and posters seem completely unrelated.
As posters it forms two paintings, neither of which are anywhere near the standard we usually see from J H Williams and both of which have
line drawings plastered all over them which don't form part of the big pictures in any way.
As comics, we get line-drawn comics slapped over the top of small portions of the paintings, but completely ignoring those paintings, making them much harder to read. We don't get any sequential narrative whatsoever. The art in this issue (both big and small) is completely unrelated to the text which carries all of the actual content here - and that content appears to just be an appendix.
It just seemed to me that Alan Moore had this idea for something that could be really impressive and then went barely half-way there resulting in something that fails as both a comic and as posters.