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jjthecomicguy
08-25-2006, 12:01 PM
When it comes to finding folks that would be interested in joining me on my comic adventure(s), I'm starting to feel like I'd be better suited digging up corpses, re-animating them, and teaching them to draw, ink, write, etc.
But, honestly, I haven't given the quest for assistance 100% quite yet. I'm still fairly young...sue me...

So, to get to the point, I'm looking for like-minded individuals that are interested in starting a comic (or several comics). I have in my soft, pale hands a few strong ideas (including characters, some plotlines, direction, backstories, endings, "feel", etc.) and I would absolutely love for someone to get on board with me to bring these remarkable beings to life.
So far, I'm sold on three of my creations, and feel that they'd be more than successful (eh, if that's possible?) when compared to other titles in the comic book world/market. A couple might even make interesting novels, or collections of short stories, or perhaps animated shows.

The strongest idea concerns the darker side of man, a couple demons/evil spirits, Nazis, vampires (possibly Nazi Vampires), zombies, a variety of other monsters and myths, the devil, Hell, magic (mainly dark/black). The might character still needs a little work, although I'm thinking of doing something fairly bold with him (probably leaning toward male)...something unseen in mainstream comics. Very general sounding I know, but a magician never reveals his secrets...well, unless he gets a partner or helper. When/if I do find that zealous half/part of me in some other dreamer out there, I'd be more than willing to dish out details, which are, in my opinion, spectacular...kinda like having sex with a horny, drunk supermodel (probably on the rebound after dating some 50 year old media tycoon).

Another idea focuses on a world just coming into an age of superheroes. Each storyline centers on a different character (or characters). I'd like to inject a good amount of humor/tastelessness into this project. If the envelope is on the edge of the counter, I want to push it a little more, maybe using telekinesis alone to support the weight of the paper. As with the first idea, I've already developed some characters, a handful of storylines, etc. The aspect that sets this apart from the rest of the superhero lines is the underlying over-arc (do those terms cancel each other out?), which has (at least to my knowledge...which is limited, granted) never been done, but is muy, muy interesting.

My third deals with a doomsday weapon re-invented for a third time in world history...this time poised to finally work. But there's a hero standing between the weapon and the end of democracy...if we can find him/her. Along the way we encounter washed-up celebrities, ninjas, probably more Nazis, WWII vets, commies, possibly whores...if we have enough cash available.

Anyways, I don't have a lot of experience with cranking out comics. I have a degree in graphic design, so I know about images and whether or not something's working or not in a graphic realm. However, I'm not a "comic book artist" type...more of a doodler/cartoonist.
I'd be more suited as a writer (thanks to spell check), as I'm an idea man. I've always been told that I'm pretty good with words (and I'm batting around .500 in the sack), so I'll crown myself lead writer. Although I'd love to work with another writer. Two heads are (in most cases) better than one.

As far as style goes, I like Matt Wagner's work. It seems simple, yet very effective. Frank Miller (for a great writer) is also a hell of an artist. I just don't want this to have a "current" feel (you know, like 90% of the books out there). I want it to be inventive, daring, and maybe even have a dirty word or two somewhere along the way.

Anyone else like road trips? That's what this will be like, only we can go to the bathroom whenever we want (not just when we run out of fuel).

I have some doodles at www.hotdogonaplate.com, although they have nothing to do with any of my ideas or comic/story ideas.

If you're even 50% interested and have read all of my garbage words to this point, get in touch with me.

I'm moving forward, have already locked down my ideas, and am ready to make a splash...or at least ripple. There's money out there, and, more importantly, a whole lot of fun.

I'm working on some promo posters/movie files to serve as ads for my comics that do not actually exist yet.

I work well with others. I promise.
Have a nice day!

Daniel_wr
08-25-2006, 12:23 PM
Hello there....

I'm an [well lets say for now] inexperienced comic book writer, with my first comic book idea being drawn currently [hopefully!], its short and sweet and only nine panels long. Check it out...http://forums.comicbookresources.com/showthread.php?t=138381

Its got its faults [oh and btw only part of its there if your wondering] but its a solid piece of work.

Anyway, to get to the point, in interested in working on a horror/zombie comic, i also have some simple ideas but nothing too formulated. This is all i can offer...im a writer with limited [read:no] artistic skills...however hopefully i will have a place to showcase any comic ideas [me and a friend are currently working on an indie magazine that will go into print early next year...hopefully earlier].

If your interested PM me or reply here....i'd like to know these wonderful plans.

Johnathon Crane
08-25-2006, 07:09 PM
I have some ideas... I haven't finished this story YET, but I am interested in your ideas, paticularly zombies (I LOVE :) drawing Skulls)

Page One

Panel One: An alley at night. Someone is walking.
Caption: Yuman City is the home of vermin unimaginable.

Panel Two: A man with brown hair, a brown overcoat and a knife steps out of the shadows.
Dialogue
Man: Well? Where is the gem?

Panel Three: The first man looks terrified.
Dialogue
1st Man: Sorry, I’m sorry Jack!

Panel Four: Jack thrusts the knife into the man.
Dialogue
Jack: You should learn that when you deal with a clown…

Panel Five: Jack stares at the corpse triumphantly.
Dialogue
Jack: Always expect to lose.

Page Two

Panel One: A dark warehouse, gases everywhere. Thugs and Jack are attacking a safe.
Dialogue
Jack: Mike, you better crack this safe right.

Panel Two: Mike sets a bomb for ten seconds.
Dialogue
Mike: Don’t I always, Rips?

Panel Three: Seconds tick away on the bomb.

Panel Four: The safe door explodes.
Dialogue
Jack: (Off-Panel) Mike, you did it, you did it again!

Panel Five: Smoke clears to reveal lots of money.
Dialogue
Jack: (Off-Panel) And now, we can feast on the harvest.

Panel Six: A dark figure with a long cape and a head like a fly crops up behind Jack.
Dialogue
Figure: Jack, you are getting pretty consistent aren’t you? Your methods, the gas, too easy.
Jack: Oh, you are clever, aren’t you?

Page Three

Panel One: Figure shoves a tube into Jack’s mouth, a bit of gas creeps out of the mouth.
Dialogue
Figure: Now, let’s see how you cope with the tables turned.

Panel Two: Jack falls to his knees, his eyes now with a white pupil and large black iris.
SFX: Ha, ha, ha, ha, ha!
Panel Three: Jack’s skin starts turning pale and his hair orange.

Panel Four: Jack collapses to the floor, his thugs running away.
Dialogue
Figure: Anyone else want the same treatment?

Page Four

Panel One: Two men, one wearing an overcoat and jeans, another wearing a business suit stand next to the Figure.
Dialogue
Man 1: So Flyman, you made quite a scene at the warehouse, didn’t you?
Man 2: I saw the news, Flyman. I hear Jack the Ripper is now dead.
Fly: Yes. I knew it was him when the security guards were found, laughing gas present in their lungs.

Panel Two: Flyman looks at business suit man.
Dialogue
Fly: But Greg, we need you to protect the owners of the warehouse.
Greg: Yes, I understand. Mother Russia would not forgive me doing anything else.