benday-dot
05-26-2006, 08:25 PM
Tonight as I was going through my box containing the Hulk titles I have collected, I once again came to gaze upon one of my favourite comic book covers of all time. There it was as penciled by Jim Steranko (except strangely Hulk's face)
http://www.comics.org/graphics/covers/1865/400/1865_4_1.jpg
I love this classic cover to Hulk King Size Special 1, and am compelled to pull it out everytime I happen upon it. But then I inevitatably open the thing up, and the wind kind of goes out of my sail. Its not that the interiors by Marie Severin and Syd Shores are particularly awful, its just that they stand out in such stark contrast to that gem of a cover. Syd Shores over Severin gives the work a kind of old style Atlas look, interesting stuff, but not bold or dynamic enough for Hulk imo. The absence of most of the mainline Inhumans also works against it. Still the slugfest between Hulk and Blackbolt (long a favourite Marvel character of mine) is pretty fine stuff.
So... can anybody else think of similar great divides in a comic between a book's sunny perfect beginning and its sudden mediocre march toward its end?
One more example that comes to mind is Superman 242... a knockout Neal Adam's cover, and within a trio of not terrible, but still more ordinary Superman tales
http://www.comics.org/graphics/covers/116/400/116_4_242.jpg
http://www.comics.org/graphics/covers/1865/400/1865_4_1.jpg
I love this classic cover to Hulk King Size Special 1, and am compelled to pull it out everytime I happen upon it. But then I inevitatably open the thing up, and the wind kind of goes out of my sail. Its not that the interiors by Marie Severin and Syd Shores are particularly awful, its just that they stand out in such stark contrast to that gem of a cover. Syd Shores over Severin gives the work a kind of old style Atlas look, interesting stuff, but not bold or dynamic enough for Hulk imo. The absence of most of the mainline Inhumans also works against it. Still the slugfest between Hulk and Blackbolt (long a favourite Marvel character of mine) is pretty fine stuff.
So... can anybody else think of similar great divides in a comic between a book's sunny perfect beginning and its sudden mediocre march toward its end?
One more example that comes to mind is Superman 242... a knockout Neal Adam's cover, and within a trio of not terrible, but still more ordinary Superman tales
http://www.comics.org/graphics/covers/116/400/116_4_242.jpg